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Violin - The height of the two f-holes varies, which might be explained by a technique that Stradivari used. Retrieved from the Library of Congress, https://www.loc.gov/item/ihas.200155591/. Flagship Location 7711 Eastern Avenue Takoma Park, MD 20912 New Gaithersburg Rental Location 830 Muddy Branch Road Gaithersburg, MD 20878 A tradition of excellence since 1996 Call us for more information (301) 652-7070 1 (800) 317-9452 Hours Tues - Fri. Flagship Location: 10:00am - 6:00pm . In London, he apprenticed as a luthier with Richard Duke, one of the city's most notable violinmakers of the 18th century. The workmanship and varnish have much the same characteristics the latter being, as a rule, of a tint which is a shade warmer than the varnish of Duke. By 1920, the "Betts" was owned by R. D. Waddell of Glasgow. Next to that is a photo of the new copy. (b Stamford, Lincolnshire, 1752; d London, 1823), One of the most important and influential violin makers in England in the eighteenth and early nineteenth centuries, John Betts was born in Stamford, Lincolnshire, in 1752. John Montgomery, Sam Zygmuntowicz, Raymond Shryer also did some needed tonal adjustments on it. You already have a Tarisio account. a convenience, and may not be complete or accurate. The Betts Stradivarius violin was the focus of the workshop. The violin has a two piece back of . In the United States, the 'Betts' found a home first in the collection of John Taylor Roberts, [32] and then with Gertrude Clarke Whittall, who, in 1935, donated it along with three other Stradivari instruments a violin, a viola, and a cello and four Tourte bows to the Library of Congress of Washington, D.C. Normally one violin, viola, or cello, is made by the class (up to varnishing), strung up "in the white", and played, as a group project during the two week session. 130 High Street, Over the course of its history the shop produced a large range of instruments, from inexpensive models with painted purfling to some of the most exquisite Stradivari and Guarneri copies in the history of British violin making. , circa 1814Violin, John Betts Tel: +44 (0) 20 7354 5763 Dismiss. Photography by Ellen Broughton. (1847 - 1867) Arthur II and John Betts II inherited the family business at London's Royal Exchange from their father, Arthur I in 1847 and instruments with the label 'Arthur and John Betts' were made from this point until the shop closed in 1867. Fine Fretted String Instruments2345 Winchester Blvd. John Betts cello, London circa 1810 John Betts cello, London circa 1810 First Name (*) Last Name (*) My Phone. Article. Part of that status comes from the circumstances of its acquisition. Article. Betts Workshop Violin, London circa 1820. The violin has a two piece back of highly-figured, quarter sawn maple which is book-matched. photograph | 18 photographs : color | Photograph (Form). Betts himself became Official Valuer of violins to the Customs office. This violin from about 1790 is stamped on the back 'Betts / Royal . | Traces of the compass points left when he marked the position of the lobes and nicks are still visible and can be seen using a mirror inside the top. Claudia Fritz, Joseph Curtin, and Fan Tao have participated in two other similar tests, in Indiana and Paris. Next to that is a photo of the new copy. Using our new process of reverse engineering, and choosing wood carefully, we can make consistently good sounding violins that are comparable to instruments made in the past and not accessible to the public. Professional violin, to quote a veteran Gypsy style player. In 2011, John Waddle was in charge of the back, Raymond Shryer, who has his violin shop in Canada, was in charge of the top, Gregg Alf, of Ann Arbor, Michigan, was in charge of the rib structure, and Sam Zygmuntowicz, whose violin shop is in Brooklyn, New York, was in charge of the neck and scroll. This catalog data provides the details known to the Library of Congress regarding the corresponding items and may assist users in making independent assessments of the legal status of these items as related to their desired uses. Items included here with the permission of the rights holders are indicated as such in the bibliographic record for each item. My great-grandfather ordered a violoncello of Betts in the year 1780, to be made by Betts himself. 2 North Piazza, Londini," are also written across the back on the inside, near the top, and an inscription, which is not decipherable, is written across the belly near the left sound- hole. The technical storage or access that is used exclusively for anonymous statistical purposes. The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes. After the death of Betts' son, the violin was sold to WE Hill, and eventually to Whittall's, before ending up at the Library of Congress, where it is displayed in the performing arts reading room. After many years working for Duke, Betts became the foreman of his workshop and eventually took over the business. This violin was part of an event in conjunction with Cremona Mondomusica in New York city in March of 2013, called "Stradivari vs. the Modern Violin". Not consenting or withdrawing consent, may adversely affect certain features and functions. Violins and Violin Makers Biographical Dictionary of the Great Italian Artistes, their Followers and Imitators, to the present time. , circa 1800Viola, John Betts As on the "Tuscan-Medici" viola [see below], the top under the fingerboard is not varnished in an area extending down 5.5 cm from the neck foot. Users may need to contact The Strad for any re-use of the articles. In turn his workshop influenced the leading makers of the day to look towards increasingly detailed copying of Cremonese masterpieces, assisted to a great extent by his relationship with Vincenzo Panormo, an Italian maker working in London. The shop thrived for another 20 years before finally closing in 1867, having firmly linked the family name with some of the worlds greatest instruments. A panel of experts there chose our violin over the three Stradivari's in the test. One of the many things that is pleasing about this beautiful instrument is that it represents some of the very best work of both makers. About the violin. Using the same digital computer files generated by Steve Sirr, and used to make the parts for the violin made in Oberlin, Steve Rossow has carved Stradivari's archings into the new top, and back, and Stradivar's original shapes of the neck neck and scroll on his CNC machine. It's questionable how many violins Betts himself made, but he employed an illustrious group of makers such as Tobin, Vincenzo and Joseph Panormo, both Bernard Simon Fendts and John Furber, along with other less well known names. Books from Amati. Call us on:0207 175 1644 In addition to his work as a maker, Betts imported the highest-caliber Read More Italian instruments to London, and was partly responsible for the ascent of Stradivari's reputation to equal Stainer's in public opinion of the period. I am part of an ongoing collaboration with Luthier Stephen Rossow and Radiologist Steven A. Sirr, MD., on a project that uses existing and emerging technologies to explore the structure of- and ultimately replicate- famous violins. Germany, Email: info.berlin@tarisio.com The written permission of the copyright owners and/or other rights holders (such as holders of publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. Robert Somers Brookings, an economist, founded in 1916 what became the Brookings Institution, a respected private nonprofit public policy organization. photograph | 20 photographs : color | Photograph (Form). This is a composite violin: the back, ribs and scroll were made by Andrea Guarneri in 1694 and the replacement front was made by John Betts in the 1790s. It was he who established the great Betts workshop in Holborn's Royal Exchange around 1782. He was not an exceptional luthier but he had a good eye for business and was therefore able to provide a livelihood for many of the most notable makers of the day. The 1704 "Betts" Stradivari violin was crafted by Antonio Stradivari, an Italian manufacturer of string instruments who lived from 1644 to 1737. Below, on the left is a photo of the top of the Betts, compared with a CT scan of the top, and aphoto of our new digitally carved copy of the front of the Betts. Chris Germain is third from the left in the front row. To provide the best experiences, we use technologies like cookies to store and/or access device information. Even Stradivari violins need adjusting from time to time. Can you tell which is which? A CNC machine is a precision carving machine. Photograph (Form). London, Sign up to receive Carteggio features directly. Part of that status comes from the circumstances of its acquisition. The "Ward" acquired its name from J. The words "Jo. John Betts violin label. It can carve wood more accurately than a human can. Kurfrstendamm 28 Violins and cellos for sale in London from Bridgewood & Neitzert Ltd: The UK's leading violin dealers, restorers & makers. At this stage, the assessment is free and without obligation. Photograph (Form). If you agree to being contacted in this way, please tick the relevant box. He is holding the violin we made there. (born February 17, 1949 in Moncton, New Brunswick) is a teacher and a New Brunswick politician. Wurlitzer sold the "Betts" to John T. Roberts of Hartford, Connecticut, later acting as an intermediary in its sale to Mrs. Whittall. His own workmanship was replaced by the efforts of his many employees after Read more. , circa 1790Violin, John Betts In the first instance, we suggest submitting good-quality images to us, preferably by email to info@ingleshayday.com or by completing the valuation form. The whole event was documented by NHK TV of Japan. Article. The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user. . It remained a treasured . Please get in touch for more details about this beautiful English violin for sale by Arthur and John Betts. The "Betts" is among the most legendary violins from Stradivari's workshop. In June of 2011, Steve Rossow, Steve Sirr, and John Waddle went to Oberlin, Ohio, to participate in the Oberlin violin makers workshop. This violin from about 1790 is stamped on the back Betts / Royal Exchange / London. He was a pupil of Richard Duke, and, in the few instruments made by himself, showed that he had imbibed much of Duke's lore. Cookie Policy The history of the Stradivarius violin, now known as "the Betts", up to the early 1820's, is completely unknown, but it was at that time that an unknown person walked into the violin shop of Arthur Betts and his nephew, with the violin and offered it for sale. He came to London to work for Richard Duke in Holborn in 1765. Directions. Email: Arthur Betts used the violin for the rest of his career. He . If you are a person who is fortunate enough that you can afford to buy a genuine Stradivari, Guarneri, or Amati, by all means, you should do it! Photograph (Form). Article. The Strad magazine has generously allowed us to reproduce two articles in this presentation: Exhibition Report: Born in the USA (July 2006) and National Treasure (November 2006). He came to London to work for Richard Duke in Holborn in 1765. Using a carefully selected matching top, back, neck and scroll carved by Steve Rossow on his CNC machine directly from computer files generated from CT scans of "the Betts" violin, the Oberlin Betts copy was completed by the class as a group project to the point of being playable but without varnish. The woods used for the copy are selected for their density, grain structure, and visual similarity to the Betts violin. This instrument is now in my possession, and in excellent condition, having been recently repaired by Mr. J. W. Owen of Leeds. Brompton's is delighted to offer complimentary Violin appraisals for insurance, probate or sale purposes. John (I) Betts. London Article. JOHN BETTS A VIOLIN, LONDON, CIRCA 1780 Unlabeled, branded at the button BETTS ROYAL EXCHANGE LONDON, branded at the end pin J. BETTS, length of back: 13 13/16 in. In 1923, Jay C. Freeman of Wurlitzer approached Waddell in Scotland and came away with the "Betts" as well as the "Leduc" Guarneri. Leaders of the group are chosen to be in charge of different parts of the project each year. Once we have obtained CT scans of a violin and have chosen wood that matches the wood of the original, Steve Rossow can carve duplicate parts digitally, using his CNC machine. . Marketing cookies are used to track the effectiveness of advertising, to provide more relevant services, and to deliver better ads that suit your interests. In 1781 he established his own workshop. Songs and Music. The Oberlin violin makers workshop has been in operation for fifteen years. Most work is branded Betts, Royal Exchange on the upper back. The violin is an absolutely stunning Nicol Amati copy. Stamped Betts / Royal Exchange / London. Citations are generated automatically from bibliographic data as Betts was very careful in selecting and preparing his wood, and his craftsmanship is equally precise. He most often worked from the Amati model. Bow maker / Violin maker John Betts was born in Stamford, England, in 1752. London, W1G 9RL Steve Sirr and John Waddle have been CT scanning violins, violas, and cellos since 1989. , 1803Viola, John Betts For auction updates, special offers and news please sign up to our mailing list. Whoever he was, he didn't know what he had, and accepted Arthur Bett's offer of one Guinea. To be able to use Corilon violins in full range, we recommend activating Javascript in your browser. Here is a vioiin being scanned. The Library of Congress is providing access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. Web.. Retrieved from the Library of Congress, . A sheer joy to play! The two of them are shown in the workshop discussing some aspect of the project. (1752 - 1823) Little is known about the early life of John Betts, son of Edward Betts, a farmer from Stamford. John Dodd and Thomas Tubbs were among the shop's best suppliers of bows. please inquire . One of the great advantages to having a dealership in conjunction with a workshop is that the makers had access to all sorts of beautiful and important Italian instruments to copy. Amati, in collaboration with leading experts, have published a few key books in the field of stringed instruments. If you missed the magazine, you can download the pdf here-. Violin by Antonio Stradivari, Cremona, "Betts". The workmanship and varnish have much the same . With its expressive. Fax: +44 (0) 20 7900 3354, Tarisio Berlin He drilled holes for the upper and lower lobes and then connected them rather than working from a stencil type of pattern. Suggested credit line: Library of Congress, Music Division. Kemp Hall Passage, He used two or three different labels. He was universally known as " Old John Betts," and was well respected and patronised. Arthur died in 1847, leaving the shop to his two sons, Arthur II and John II. John Betts (1752-1823) In 1765, around the age of 13, John Betts made the 160 kilometer journey to London from his hometown of Stamford. They serve to improve service and provide a more personalised experience. These cookies cannot be disabled and you cannot use the website without them. We use the digital information from the CT scans to make STL (stereolithography) files to directly transfer the carving of Stradivari's original archings into new tops and backs, and to directly transfer the shapes of Stradivari's original necks, and scrolls, using a CNC machine made and operated by Steve Rossow. 1790 Upon his death in 1823, he left the shop to his younger brother and pupil Arthur, as well as his nephew Charles Vernon. His shop employed many of the best contemporary makers, including Joseph and Lockey Hill, and later Vincenzo Panormo and Bernard Simon Fendt. 11th Floor New York, NY 10019 In the last year, they spent several months painstakingly putting back together my severely damaged 1790 John Betts cello. Ok, got it! Contact Us. There may be content that is protected as "works for hire" (copyright may be held by the party that commissioned the original work) and/or under the copyright or neighboring-rights laws of other nations. Vincenzo Panormo also worked closely with Betts and certainly provided the expertise in making that brought about a change from the Stainer- and Amati-modelled work that Betts himself specialised in, towards fine Stradivari copies. The violin is in stunning original condition with no cracks. This violin has an electric vibrancy, as though the sound is just waiting to burst out. The instrument is the work of one of his students or another luthier who upheld the Betts tradition, making it a worthy representative of early 19thcentury English violin making, and its interesting, stylish aesthetic is just as compelling as its exceptionally beautiful sound. You can find out the value of a Violin by John Betts and the amount you could expect if you sold your John Betts Violin at auction. Article. Below, on the left, is a photo of the back of the Betts. Read Less. It is preserved in fine original condition except for the pegs and bridge. The varnishing was be done by Jeff Phillips and Antoine Nedelec in Oberlin. It was he who established the great Betts workshop in Holborns Royal Exchange around 1782. Article. He became known as an expert dealer and businessman, and was appointed Official Valuer of violins to the Customs Office. He studied violin making under Richard Duke. I wrote an article, in collaboration with Steve Sirr, and Steve Rossow, on the Betts, which is available in the May 2010 issue of "the Strad" Magazine, published in London. Composite, newer top (19th century) original back and sides. Once we have obtained quality CT scans of a violin, we can analyze its physical properties, density, mass, linear measurements, volumes, etc.

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